BassX3 / Transatlantic Жанр: Free Improvisation Страна-производитель диска: UK Год издания: 2012 Издатель (лейбл): Leo Records Номер по каталогу: CD LR 625 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 63:09 Источник (релизер): whatcd Наличие сканов в содержимом раздачи: нет Треклист:
1 Transatlantic (Part One) 8:28
2 The Thing 4:10
3 The No Piece 4:52
4 The Epic 11:42
5 Transatlantic (Part Two) 4:45
6 Ornette's Closet 2:38
7 Berlin Is Full Of Lonely People (Part One) 3:53
8 Berlin Is Full Of Lonely People (Part Two) 2:30
9 Transatlantic (Part Three) 19:43
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 8. November 2012, 0:14 Gebhard Ullmann; Chris Dahlgren; Clayton Thomas / Transatlantic: BassX3 Used drive : SlimtypeeSAU108 8 Adapter: 5 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:33.09 | 0 | 38483 2 | 8:33.09 | 4:13.63 | 38484 | 57521 3 | 12:46.72 | 4:51.15 | 57522 | 79361 4 | 17:38.12 | 11:47.23 | 79362 | 132409 5 | 29:25.35 | 4:50.48 | 132410 | 154207 6 | 34:16.08 | 2:38.56 | 154208 | 166113 7 | 36:54.64 | 3:52.41 | 166114 | 183554 8 | 40:47.30 | 2:38.69 | 183555 | 195473 9 | 43:26.24 | 19:42.67 | 195474 | 284190 Track 1 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\01 - Transatlantic- Part One.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 1.3 X Track quality 100.0 % Test CRC 4E77730D Copy CRC 4E77730D Accurately ripped (confidence 1) [D364B158] (AR v1) Copy OK Track 2 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\02 - Thing.wav Pre-gap length 0:00:04.88 Peak level 99.3 % Extraction speed 1.4 X Track quality 100.0 % Test CRC D1BD9224 Copy CRC D1BD9224 Accurately ripped (confidence 1) [288CCD99] (AR v1) Copy OK Track 3 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\03 - No Piece.wav Pre-gap length 0:00:03.45 Peak level 99.5 % Extraction speed 1.6 X Track quality 100.0 % Test CRC 45254AC9 Copy CRC 45254AC9 Accurately ripped (confidence 1) [1E68C897] (AR v1) Copy OK Track 4 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\04 - Epic.wav Peak level 99.9 % Extraction speed 1.9 X Track quality 100.0 % Test CRC CC35605A Copy CRC CC35605A Accurately ripped (confidence 1) [D12644D6] (AR v1) Copy OK Track 5 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\05 - Transatlantic- Part Two.wav Pre-gap length 0:00:05.01 Peak level 64.7 % Extraction speed 2.0 X Track quality 100.0 % Test CRC C40F189F Copy CRC C40F189F Accurately ripped (confidence 1) [66D51501] (AR v1) Copy OK Track 6 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\06 - Ornette's Closet.wav Pre-gap length 0:00:06.06 Peak level 100.0 % Extraction speed 1.9 X Track quality 100.0 % Test CRC E72CCEA5 Copy CRC E72CCEA5 Accurately ripped (confidence 1) [9AD870C1] (AR v1) Copy OK Track 7 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\07 - Berlin is Full of Lonely People- Part One.wav Pre-gap length 0:00:01.26 Peak level 43.2 % Extraction speed 2.1 X Track quality 100.0 % Test CRC ACD3D078 Copy CRC ACD3D078 Accurately ripped (confidence 1) [3771CF62] (AR v1) Copy OK Track 8 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\08 - Berlin is Full of Lonely People- Part Two.wav Peak level 58.4 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 7FC9BCD7 Copy CRC 7FC9BCD7 Accurately ripped (confidence 1) [88C56649] (AR v1) Copy OK Track 9 Filename F:\_MUSIC ALL\Gebhard Ullmann -Transatlantic_BassX3 (2012) [FLAC]\09 - Transatlantic- Part Three.wav Pre-gap length 0:00:09.04 Peak level 71.0 % Extraction speed 1.1 X Track quality 99.9 % Test CRC 7EE0FEFF Copy CRC 7EE0FEFF Accurately ripped (confidence 1) [6336C6A8] (AR v1) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum A48CCEE88669D2429E75423E23DAF931728CA4E938425A558411393C20DF9DDF ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2012 REM DISCID 7B0ECD09 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" TITLE "Transatlantic: BassX3" FILE "01 - Transatlantic- Part One.wav" WAVE TRACK 01 AUDIO TITLE "Transatlantic: Part One" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Thing" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 08:28:18 FILE "02 - Thing.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "No Piece" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 04:10:29 FILE "03 - No Piece.wav" WAVE INDEX 01 00:00:00 FILE "04 - Epic.wav" WAVE TRACK 04 AUDIO TITLE "Epic" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Transatlantic: Part Two " PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 11:42:22 FILE "05 - Transatlantic- Part Two.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Ornette's Closet" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 04:44:43 FILE "06 - Ornette's Closet.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Berlin is Full of Lonely People: Part One" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 02:37:36 FILE "07 - Berlin is Full of Lonely People- Part One.wav" WAVE INDEX 01 00:00:00 FILE "08 - Berlin is Full of Lonely People- Part Two.wav" WAVE TRACK 08 AUDIO TITLE "Berlin is Full of Lonely People: Part Two" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Transatlantic: Part Three" PERFORMER "Gebhard Ullmann; Chris Dahlgren; Clayton Thomas" INDEX 00 02:29:66 FILE "09 - Transatlantic- Part Three.wav" WAVE INDEX 01 00:00:00
Доп. информация: Recorded At RBB Studios August 14, 2009
Состав
Bass Clarinet, Flute [Bass] – Gebhard Ullmann
Double Bass, Performer [Objects] – Chris Dahlgren, Clayton Thomas
***
This Germany-based trio artfully expresses the lower register realm, framed on a program that enables the musicians to share equal ground and incorporate a concentrated focus, cloaking a major portion of the album. With growling basses, sinewy arco-passages and the use of objects to alter sounds and provide an ethereal framework, the musicians uncannily tender motifs that could sometimes allude to the use of background electronics. In a sense, the trio plays tricks with your psyche, abetted by darkly resonating notes and supple passages. They often intimate a sacred rite of passage amid several spikes and interconnecting movements, signaling understated buoyancy. While playing the bass flute, Gebhard Ullmann amid the bassists' shrewd use of space and contrasting effects, conjure notions of a solemn vista, including delicate treatments and hallowing auras. On various pieces, the musicians radiate craggy tones, complemented by otherworldly extended notes and dense frameworks. Armed with a consortium of concepts, they touch upon minimalism and offset the undulating currents with lashing breakouts. The piece titled "Berlin is Full of Lonely People (Part One)" is aggressive and inward-looking. They present striking disparities encapsulated by Ullmann's haunting flute phrasings and the bassists' angular statements. Here, they navigate through darkness as blithe settings coalesce with fleeting themes. And at various points throughout the set, they inject a coarse edge where Ullmann's bass clarinet work serves an instigator and prompts the slicing and dicing three-way interactions. As it might be anticipated, the artists do not simply indulge in wanton cacophony or purposeless improvisation. Hence, it's a cohesive engagement that digs deep into the soul and proposes a surfeit of compelling persuasions.
by Glenn Astarita ***
Gebhard Ullmann has been making a name for himself over the last decade in various contexts, most notably as co-leader of a quartet with trombonist Steve Swell. BassX3 is a most unusual proposition of reeds and two basses--Ullmann on bass clarinet and bass flute, and the contrabasses of Chris Dahlgreen and Clayton Thomas. Their second recorded effort, Transatlantic (Leo 625) finds them exploring freely the kinds of unusual timbral color combinations and group sounds attainable through imagination and inspired improvisation. Only one piece has freely walking basses and "jazz-oriented" bass clarinet soloing. But there are moments of fire-energy typical of "free jazz" at its most outgoing. The rest make use of the contrast between reeds and the low and complex sounds two basses can produce via arco and sometimes relatively unconventional playing techniques. Throughout this contrast forms a basis for the music that comes about. The end result is an improvised new music that fascinates and brings new sounds into your listening world with forethought and a dramatic sense.
by Grego Applegate Edwards ***
The trio’s name derives from the fact that all the members, in a way or another, play a “bass” instrument. Bass clarinet and bass flute (Gebhard Ullmann), double bass and objects (both Chris Dahlgren and Clayton Thomas). Lowering the outstanding profundity of the collective textural palette to a mere “exploration of the low regions of the acoustic range” definition would be a deadly sin, for Bx3 are one of those units able to instantly elicit a sense of genuine awe. Furthermore, I love when a record transmits an absence of ego ever since its very first instants, which is exactly what happens in Transatlantic. The riveting qualities of coarse-grained drones given out by competent musicians is alone a generous gift, but refined subtleties and bitty variations also abound over the course of these magnificent tracks. The preparations have a definite say – minute string-bouncing, zinging-and-knocking insertions and meticulous placement of well-coordinated “musical noises” frequently orientate the interplay towards the realm of quietly efficient EAI. However, a strong backbone characterizes every instant of the disc: no whistling, no fizzing, no burbling. Tones and upper partials exist and breathe, each with its own special meaning. Their consolidation gives the idea of an earthy progression achieved through a mix of concentrated labour and sensitive reaction to the immediate circumstances. Reciprocal listening and utter ear-openness become nearly tactile when the whole is sized up via headphones. This notwithstanding, we’re not going to deny that the really stirring consequences will be savoured by letting it resonate, thus increasing the vibrational percentage in the air.
By Massimo Ricci
