(Classical, Opera Arias) [CD] Juliane Banse - Per Amore: Opera Arias by Mozart, Weber, Tchaikovsky/Чайковский, Smetana, Puccini, Massenet, Bizet, Gounod (Deutsche Radio Philharmonie, Christoph Poppen) - 2011, FLAC (image+.cue) lossless

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 11. February 2022, 13:01
Juliane Banse / Juliane Banse - Per Amore
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REM GENRE Classical
REM DATE 2010
REM DISCID 8B0D990A
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "Juliane Banse (soprano), Deutsche Radio Philharmonie, Christoph Poppen (dir.)"
TITLE "Juliane Banse - Per Amore"
REM COMPOSER "Wolfgang Amadeus Mozart (1756-1791), Carl Maria von Weber (1786-1826), Peter Ilyich Tchaikovsky (1840-1893), Bedřich Smetana (1824-1884), Giacomo Puccini (1858-1924), Jules Massenet (1842-1912), Georges Bizet (1838-1875), Charles Gounod (1818-1893)"
FILE "Juliane Banse - Per Amore.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Mozart - Così fan tutte, opera, KV. 588, Act I, Scene 9, Recitative & Aria of Fiordiligi: Temerari, sortite fuori di questo loco! … Come scoglio immoto resta"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Mozart - Le nozze di Figaro (The Marriage of Figaro), opera, KV. 492, Act III, Scene 8, Recitative and Aria of the countess Almaviva: E Susanna non vien! … Dove sono i bei momenti"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    FLAGS DCP
    INDEX 00 05:33:38
    INDEX 01 05:37:46
  TRACK 03 AUDIO
    TITLE "von Weber - Der Freischütz, opera, J. 277 (Op. 77), Act II, Scene 2, Scene and aria of Agathe: Wie nahte mir der Schlummer … Leise, leise, fromme Weise!"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Carl Maria von Weber"
    FLAGS DCP
    INDEX 00 11:37:15
    INDEX 01 11:41:44
  TRACK 04 AUDIO
    TITLE "Tchaikovsky - Eugene Onegin, opera, Op. 24, Act I, Scene 2, No. 9, Scene from a letter, Tatjana's aria: Puskai pogibnu ya, no pryezhde"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Peter Ilyich Tchaikovsky"
    FLAGS DCP
    INDEX 00 19:39:62
    INDEX 01 19:45:62
  TRACK 05 AUDIO
    TITLE "Smetana - Prodaná nevesta (The Bartered Bride), opera, JB 1:100, Act III, Scene 6, Recitative and Aria of Marie: Endlich allein! Allein mit mir … Wie fremd und tot ist alles umher"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Bedřich Smetana"
    FLAGS DCP
    INDEX 00 31:52:19
    INDEX 01 31:55:23
  TRACK 06 AUDIO
    TITLE "Puccini - La bohème, opera, Act I, Aria of Mimì: Si, mi chiamano Mimì"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Giacomo Puccini"
    FLAGS DCP
    INDEX 00 37:41:03
    INDEX 01 37:44:24
  TRACK 07 AUDIO
    TITLE "Puccini - Gianni Schicchi, opera, Aria of Lauretta: O mio babbino caro"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Giacomo Puccini"
    FLAGS DCP
    INDEX 00 42:16:01
    INDEX 01 42:19:34
  TRACK 08 AUDIO
    TITLE "Massenet - Manon, opera in 5 acts, Act II, Scene 4, Aria of Manon: Allons! Il le faut pour lui-même … Adieu, notre petite table!"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Jules Massenet"
    FLAGS DCP
    INDEX 00 44:37:73
    INDEX 01 44:40:50
  TRACK 09 AUDIO
    TITLE "Bizet - Carmen, opera, Act III, Scene 5, Recitative and Aria of Michaëla: C'est des contrebandiers le refuge ordinaire … Je dis, que rien ne m'épouvante"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Georges Bizet"
    FLAGS DCP
    INDEX 00 48:06:21
    INDEX 01 48:09:44
  TRACK 10 AUDIO
    TITLE "Gounod - Faust, opera, CG 4, Act II, Scene 6, Aria of jewels, aria of Marguerite: O Dieu, que de bijoux! … Ah! je ris de me voir"
    PERFORMER "Juliane Banse, Deutsche Radio Philharmonie, Christoph Poppen"
    REM COMPOSER "Charles Gounod"
    FLAGS DCP
    INDEX 00 53:39:22
    INDEX 01 53:42:34

Per Amore: Opera Arias Review by V. Vasan  [-]
This album by soprano Juliane Banse features classics of the lyric soprano repertoire. Banse's voice is a true example of what a lyric soprano's voice should be: full, rich, open, and even at times quite powerful (especially on the high notes). And, fortunately, Banse has excellent technique that never breaks or thins, as well as diction that always clearly renders the texts. Thus, in discussing a musician of Banse's stature, one must assess the artistry in detail, given that the fundamentals are so strongly in place. Perhaps her least musically strong arias are the Mozart ones; the characters are interpreted rather on the calm side. Fiordiligi could stand to be more dramatic and her aria taken at a faster tempo (though the melisma is perfectly executed), and the Countess could have more energy, especially in her recitative, which could be more impassioned. Part of this may be the result of the orchestra being conducted at a slightly slow tempo. As Banse's native tongue is German, the arias sung in German come across as the most carefully phrased and emotionally connected. "Wie nahte" is tender, reverent, and pure. "Endlich allein," which was originally written in Czech, gives the listener a sense of darkness and fervor, that she is indeed alone and grieving. Banse undertakes Tchaikovsky's notoriously difficult "Tatiana's Letter Aria," and it is evident that the Russian language suits her voice well. However, one might say that the aria needs a more intimate, girlish quality that captures the Russian sense of melancholy that pervades so much of their music and literature, rather than Banse's more energetic, powerful interpretation. The Italian arias, "Mi chiamano Mimi" and "O Mio Babbino Caro" showcase Banse's lovely sound and also her power. But here, too, one senses the need for more connection to the phrases and the emotions of the character. The last three pieces are sung in French, which also seems to suit Banse's voice very well. One certainly hopes she will perform the entire role of Micaëla, as "Je dis que rien" truly convinces the listener she is terrified, but must seek her beloved Don José. "Ah, je ris" (or "The Jewel Song," as it is more commonly known) shows a very expressive side of the artist and her capability of singing with great passion. In sum, Banse has a gorgeous voice and gives some very good interpretations. The sound quality could use some improvement, as the album plays somewhat softly.