Caterina Sforza · 07-Май-19 18:08(6 лет 5 месяцев назад, ред. 10-Май-19 21:30)
A.Scarlatti - Concerti Grossi; Cello Sonatas Жанр: Classical concerto grosso / sonata Страна-производитель диска: Made in the EEC Год издания диска: Amadeus и Arts Music - 2001 ; SACD переиздание Arts Music - 2011 Издатель (лейбл): Arts Music Номер по каталогу: 47758-8 Дата записи: 2000 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 01:03:35 Источник: релизер сайт-источник/ник/другое: Fasch, подарок; Caterina Sforza - работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да, полный авторский буклет jpeg и pdf, 35 страниц + полный авторский буклет jpeg переиздания 2011 года, 27 страниц
Треклист
Concerti Grossi (Pub. London 1740) Concerte No.1 In F Minor - F-Moll, Fa Mineur, Fa Minore 1 I - Grave 1:37 2 II - Allegro 1:40 3 III - Largo 3:16 4 IV - Allemande (Allegro) 1:16 Concerto No.2 In C Minor - C-Moll, Ut Mineur, Do Minore 5 I - Allegro 2:39 6 II - Grave 2:44 7 III - Minuetto 1:29 Concerto No.3 In F Major - F-Dur, Fa Majeur, Fa Maggiore 8 I - Allegro 0:46 9 II - Largo 1:10 10 III - Allegro 2:01 11 IV - Largo 1:35 12 V - Allegro 2:30 Concerto No.4 In G Minor - G-Moll, Sol Mineur, Sol Minore 13 I - Allegro Ma Non Troppo 2:10 14 II - Grave 2:00 15 III - Vivace 2:15 Concerto No.5 In D Minor - D-Moll, Si Mineur, Si Minore 16 I - Allegro 1:55 17 II - Grave 1:05 18 III - Giga: Allegro 0:52 19 IV - Minuetto 1:44 Concerto No.6 In E Major - E-Dur, Mi Majeur, Mi Maggiore 20 I - Allegro 1:11 21 II - Allegro 1:58 22 III - Largo 1:32 23 IV - Affettuoso 3:44 Sonatas For Cello And Continuo Cello Sonata No.1 In D Minor - D-Moll, Si Mineur, Si Minore 24 I - Largo 2:50 25 II - Allegro 1:57 26 III - Largo 1:07 27 IV - A Tempo Giusto 1:51 Cello Sonata No.2 In C Minor - C-Moll, Ut Mineur, Do Minore 28 I - Largo 1:48 29 II - Allegro 1:41 30 III - Piano 1:31 31 IV - Presto 0:46 Cello Sonata No.3 In C Major - C-Dur, Ut Majeur, Do Maggiore 32 I - Largo 2:46 33 II - Allegro 1:28 34 III - Amoroso 1:40 35 IV - Presto 1:34
Исполнители
Alessandro Scarlatti (1660-1725) Concerto No. 1 in F minor Concerto No. 2 in C minor Concerto No. 3 in F major Concerto No. 4 in G minor Concerto No. 5 in D minor Concerto No. 6 in E major Cello Sonata No.1 in D minor Cello Sonata No.2 in C minor Cello Sonata No.3 in C major Mauro Valli (cello) Accademia Bizantina Ottavio Dantone (harpsichord & conductor) Recording Date: June, 2000 Recording Location: Sala del Refettorio di S. Vitale, Ravenna, Italy
REM GENRE Classical REM DATE 2001 REM DISCID 3A0F0823 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Accademia Bizantina, Mauro Valli (cello), Ottavio Dantone (harpsichord & conductor)" TITLE "A. Scarlatti: 6 Concerti grossi (pub. London 1740); Sonatas for Cello and Continuo" REM COMPOSER "Alessandro Scarlatti (1660-1725)" FILE "A. Scarlatti - 6 Concerti grossi; Cello sonatas - Accademia Bizantina.flac" WAVE TRACK 01 AUDIO TITLE "Concerto No. 1 in F Minore - I. Grave" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Concerto No. 1 in F Minore - II. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 01:36:02 TRACK 03 AUDIO TITLE "Concerto No. 1 in F Minore - III.Largo" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 03:14:19 INDEX 01 03:16:63 TRACK 04 AUDIO TITLE "Concerto No. 1 in F Minore - IV. Allemanda (Allegro)" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 06:32:33 TRACK 05 AUDIO TITLE "Concerto No. 2 in C Minore - I. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 07:40:50 INDEX 01 07:48:59 TRACK 06 AUDIO TITLE "Concerto No. 2 in C Minore - II. Grave" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 10:26:01 INDEX 01 10:28:17 TRACK 07 AUDIO TITLE "Concerto No. 2 in C Minore - III. Minuetto" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 13:11:63 TRACK 08 AUDIO TITLE "Concerto No. 2 in C Minore - IV. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 14:32:05 INDEX 01 14:41:28 TRACK 09 AUDIO TITLE "Concerto No. 3 in F Maggiore - I. Largo" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 15:27:01 TRACK 10 AUDIO TITLE "Concerto No. 3 in F Maggiore - II. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 16:36:56 TRACK 11 AUDIO TITLE "Concerto No. 3 in F Maggiore - III. Largo" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 18:36:73 INDEX 01 18:38:25 TRACK 12 AUDIO TITLE "Concerto No. 3 in F Maggiore - IV. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 20:12:48 TRACK 13 AUDIO TITLE "Concerto No. 4 in G Minore - I. Allegro ma non troppo" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 22:35:65 INDEX 01 22:43:05 TRACK 14 AUDIO TITLE "Concerto No. 4 in G Minore - II. Grave" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 24:52:54 TRACK 15 AUDIO TITLE "Concerto No. 4 in G Minore - III. Vivace" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 26:49:71 INDEX 01 26:52:37 TRACK 16 AUDIO TITLE "Concerto No. 5 in D Minore - I. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 29:01:54 INDEX 01 29:08:18 TRACK 17 AUDIO TITLE "Concerto No. 5 in D Minore - II. Grave" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 31:02:46 TRACK 18 AUDIO TITLE "Concerto No. 5 in D Minore - III. Giga: Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 32:07:29 TRACK 19 AUDIO TITLE "Concerto No. 5 in D Minore - IV. Minuetto" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 32:59:64 TRACK 20 AUDIO TITLE "Concerto No. 6 in E Maggiore - I. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 34:33:06 INDEX 01 34:43:30 TRACK 21 AUDIO TITLE "Concerto No. 6 in E Maggiore - II. Allegro" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 35:54:48 TRACK 22 AUDIO TITLE "Concerto No. 6 in E Maggiore - III. Largo" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 37:52:23 TRACK 23 AUDIO TITLE "Concerto No. 6 in E Maggiore - IV. Affettuoso" PERFORMER "Accademia Bizantina, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 39:24:51 TRACK 24 AUDIO TITLE "Sonata I per violoncello e basso continuo in D Minore - I. Largo" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 42:56:68 INDEX 01 43:06:63 TRACK 25 AUDIO TITLE "Sonata I per violoncello e basso continuo in D Minore - II. Allegro" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 45:57:37 TRACK 26 AUDIO TITLE "Sonata I per violoncello e basso continuo in D Minore - III. Largo" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 47:53:54 INDEX 01 47:55:50 TRACK 27 AUDIO TITLE "Sonata I per violoncello e basso continuo in D Minore - IV. A tempo giusto" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 49:02:73 TRACK 28 AUDIO TITLE "Sonata II per violoncello e basso continuo in C Minore - I. Largo" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 50:46:15 INDEX 01 50:54:36 TRACK 29 AUDIO TITLE "Sonata II per violoncello e basso continuo in C Minore - II. Allegro" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 52:41:74 TRACK 30 AUDIO TITLE "Sonata II per violoncello e basso continuo in C Minore - III. Piano" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 54:23:40 TRACK 31 AUDIO TITLE "Sonata II per violoncello e basso continuo in C Minore - IV. Presto" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 55:54:20 TRACK 32 AUDIO TITLE "Sonata III per violoncello e basso continuo in C Maggiore - I. Largo" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" REM INDEX 00 56:32:37 INDEX 01 56:41:11 TRACK 33 AUDIO TITLE "Sonata III per violoncello e basso continuo in C Maggiore - II. Allegro" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 59:25:59 TRACK 34 AUDIO TITLE "Sonata III per violoncello e basso continuo in C Maggiore - III. Amoroso" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 60:54:71 TRACK 35 AUDIO TITLE "Sonata III per violoncello e basso continuo in C Maggiore - IV. Presto" PERFORMER "Mauro Valli, Ottavio Dantone" REM COMPOSER "Alessandro Scarlatti" INDEX 01 62:34:33
Review
AllMusic Review by James Manheim [-] The Accademia Bizantina under conductor and keyboardist Ottavio Dantone is one of a number of young Italian historical-instrument groups that have been revolutionizing the world of Baroque instrumental music performance. The basic idea of the style of this group and its compatriots is that the dominant genre and stylistic exemplar of Italian music in the early 18th century was opera, and that instrumental music ought to reflect the sense of high drama that an operatic audience would have expected. This release offers an excellent specimen of its style, but the wrinkle this time around is that the repertory involved is of an earlier type than the High Baroque Vivaldi type of concerto in which this sort of playing is usually heard. The concerti grossi of Alessandro Scarlatti, though not published until 1740, date from well before then (Scarlatti died in 1725), probably between 1710 and 1720. Both these and the three sonatas for cello and continuo are of the Corelli sonata da chiesa or church sonata type, with (for the most part) an introductory slow movement, a fugal Allegro, another slow movement, and a gracious dance finale. There is nothing particularly operatic about these movement structures, but what's interesting is how well Dantone's approach works with them anyhow. The fugues are fast, intense, and dramatic, with wide dynamic range gaining momentum toward a climax. Perhaps the most satisfying of all are the cello sonatas under the care of Baroque cellist Mauro Valli, you get the feeling in the slow movements that you're hearing the Baroque cello, still an acquired taste for many listeners, take on its proper sound as its bendable tones connect with highly expressive lines. An excellent release, despite a booklet that commits crimes against both typography and literary style.
Review
Review by James Manheim The Accademia Bizantina under conductor and keyboardist Ottavio Dantone is one of a number of young Italian historical-instrument groups that have been revolutionizing the world of Baroque instrumental music performance. The basic idea of the style of this group and its compatriots is that the dominant genre and stylistic exemplar of Italian music in the early 18th century was opera, and that instrumental music ought to reflect the sense of high drama that an operatic audience would have expected. This release offers an excellent specimen of its style, but the wrinkle this time around is that the repertory involved is of an earlier type than the High Baroque Vivaldi type of concerto in which this sort of playing is usually heard. The concerti grossi of Alessandro Scarlatti, though not published until 1740, date from well before then (Scarlatti died in 1725), probably between 1710 and 1720. Both these and the three sonatas for cello and continuo are of the Corelli sonata da chiesa or church sonata type, with (for the most part) an introductory slow movement, a fugal Allegro, another slow movement, and a gracious dance finale. There is nothing particularly operatic about these movement structures, but what's interesting is how well Dantone's approach works with them anyhow. The fugues are fast, intense, and dramatic, with wide dynamic range gaining momentum toward a climax. Perhaps the most satisfying of all are the cello sonatas under the care of Baroque cellist Mauro Valli, you get the feeling in the slow movements that you're hearing the Baroque cello, still an acquired taste for many listeners, take on its proper sound as its bendable tones connect with highly expressive lines. An excellent release, despite a booklet that commits crimes against both typography and literary style. allmusicguide
