Caterina Sforza · 07-Мар-18 04:10(7 лет 6 месяцев назад, ред. 07-Мар-18 04:12)
Leonardo Vinci: Alto Arias Filippo Mineccia (alto) & Francesca Cassinari (soprano) Жанр: Classical opera vocal Страна-производитель диска: Made in the Netherlands Год издания диска: 2014 Издатель (лейбл): Pan Classics Номер по каталогу: PC10297 Дата записи: 2013 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 74:29 Источник: релизер сайт-источник/ник/другое: Bodtje, подарок Наличие сканов в содержимом раздачи: да
Треклист
1 Bella pace dal seno di Giove 4:20 (from the opera Gismondo re di Polonia, Rome 1727) 2 Sotto il peso tra sassi cadendo 8:08 (from the Oratorio di Maria dolorata, Naples between 1718 and 1725) 3 Nella foresta (from the opera Medo, Parma 1728) 5:33 4 Vengo a voi, funesti orrori (from the opera Medo, Parma 1728) 6:55 5 Se soffia irato il vento (from the opera Ernelinda, Naples 1726) 4:08 6 Ai lampi del tuo lume 4:01 (from the Oratorio per la Vergine del Rosario, Naples 1727) 7 Chi mi priega, chi m‘ama 6:31 (from the Oratorio per la Vergine del Rosario, Naples 1727) 8 Alma grande (from the opera Astianatte, Naples 1725) 3:29 9 Aprirti il seno (from the opera Eraclea, Naples 1724) 3:40 10 Che legge spietata (from the opera Catone in Utica, Rome 1728) 3:54 11 Taci, o di morte (from the opera Medo, Parma 1728) 9:26 12 Ti calpesto, oh crudo Amore 4:34 (from the opera Astianatte, Naples 1725) 13 Non meno risplende 4:02 (from the serenata La contesa de‘ Numi, Rome 1729) 14 In questa mia tempesta (from the opera Eraclea, Naples 1724) 4:39
Исполнители
Leonardo Vinci 1690-1730 Alto Arias Filippo Mineccia - countertenor Francesca Cassinari - soprano [6] Stile galante Stefano Aresi, conductor Stile Galante Eva Saladin*, Barbara Altobello, Rossella Borsoni - violin1 Tomoe Mihara Badiarova*, Olga Popova, Elisa Imbalzano - violin2 David Rabinovici*, David Alonso Molina - viola Agnieszka Oszanca*, Eimear Reidy - cello Daniele Rosi double bass ∙ Gabriele Palomba - theorbo Andrea Friggi*, Fabio Falcone - harpsichord Georg Fritz, Daniel Lanthier - oboe Giovanni Battista Graziadio - bassoon Pierre-Antoine Tremblay, Stephane Mooser - horn * solo Stefano Aresi - direction Recording Date: July, 2013 Recording Location: Cavalli Musica Studio, Castrezzato, Italy Audio CD (10 Feb. 2014)
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 7. March 2018, 0:00 Filippo Mineccia / Leonardo Vinci: Alto Arias Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:24.47 | 0 | 19846 2 | 4:24.47 | 8:13.11 | 19847 | 56832 3 | 12:37.58 | 5:38.32 | 56833 | 82214 4 | 18:16.15 | 7:02.24 | 82215 | 113888 5 | 25:18.39 | 4:12.00 | 113889 | 132788 6 | 29:30.39 | 4:06.72 | 132789 | 151310 7 | 33:37.36 | 6:36.28 | 151311 | 181038 8 | 40:13.64 | 3:35.39 | 181039 | 197202 9 | 43:49.28 | 3:45.59 | 197203 | 214136 10 | 47:35.12 | 4:01.21 | 214137 | 232232 11 | 51:36.33 | 9:32.30 | 232233 | 275162 12 | 61:08.63 | 4:39.72 | 275163 | 296159 13 | 65:48.60 | 4:08.33 | 296160 | 314792 14 | 69:57.18 | 4:39.28 | 314793 | 335745 Range status and errors Selected range Filename K:\Rips\Filippo Mineccia - Leonardo Vinci- Alto Arias.wav Peak level 91.8 % Extraction speed 2.2 X Range quality 100.0 % Test CRC 71EF7C26 Copy CRC 71EF7C26 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 1) [8754B12F] (AR v2) Track 2 accurately ripped (confidence 1) [B89FA58F] (AR v2) Track 3 accurately ripped (confidence 1) [62AF9229] (AR v2) Track 4 accurately ripped (confidence 1) [779CD9F4] (AR v2) Track 5 accurately ripped (confidence 1) [446DFA08] (AR v2) Track 6 accurately ripped (confidence 1) [87AF2D0B] (AR v2) Track 7 accurately ripped (confidence 1) [96F0422F] (AR v2) Track 8 accurately ripped (confidence 1) [10E5DF7C] (AR v2) Track 9 accurately ripped (confidence 1) [D1C2CDBB] (AR v2) Track 10 accurately ripped (confidence 1) [67725029] (AR v2) Track 11 accurately ripped (confidence 1) [5F5E20C7] (AR v2) Track 12 accurately ripped (confidence 1) [D3D27F29] (AR v2) Track 13 accurately ripped (confidence 1) [C933A3E2] (AR v2) Track 14 accurately ripped (confidence 1) [470E5596] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: vfrHtulrhwsRor0I7JOlZe3NuX0-] found Submit result: already submitted Track | CTDB Status 1 | (3/3) Accurately ripped 2 | (3/3) Accurately ripped 3 | (3/3) Accurately ripped 4 | (3/3) Accurately ripped 5 | (3/3) Accurately ripped 6 | (3/3) Accurately ripped 7 | (3/3) Accurately ripped 8 | (3/3) Accurately ripped 9 | (3/3) Accurately ripped 10 | (3/3) Accurately ripped 11 | (3/3) Accurately ripped 12 | (3/3) Accurately ripped 13 | (3/3) Accurately ripped 14 | (3/3) Accurately ripped ==== Log checksum D5BD36F9B0062086F6940F80D8998C300779DEC277CA0A6B6FBC9C49636484FE ====
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2014 REM DISCID D6117C0E REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Filippo Mineccia" TITLE "Leonardo Vinci: Alto Arias" REM COMPOSER "Leonardo Vinci (1690-1730)" FILE "Filippo Mineccia - Leonardo Vinci - Alto Arias.flac" WAVE TRACK 01 AUDIO TITLE "“Gismondo re di Polonia”, Rome 1727, opera: Bella pace dal seno di Giove" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "“Oratorio di Maria dolorata”, Naples between 1718 and 1725: Sotto il peso tra sassi cadendo" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 04:20:06 INDEX 01 04:24:47 TRACK 03 AUDIO TITLE "“Medo”, Parma 1728, opera: Nella foresta" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 12:32:71 INDEX 01 12:37:58 TRACK 04 AUDIO TITLE "“Medo”, opera: Vengo a voi, funesti orrori" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 18:10:72 INDEX 01 18:16:15 TRACK 05 AUDIO TITLE "“L'Ernelinda”, Naples 1726, opera: Se soffia irato il vento" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 25:11:28 INDEX 01 25:18:39 TRACK 06 AUDIO TITLE "“Oratorio per la Vergine del Rosario”, Naples 1727: Ai lampi del tuo lume" PERFORMER "Stefano Aresi & Stile Galante/Filippo Mineccia/Francesca Cassinari/Stefano Aresi" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 29:26:72 INDEX 01 29:30:39 TRACK 07 AUDIO TITLE "“Oratorio per la Vergine del Rosario”: Chi mi priega, chi m'ama" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 33:31:68 INDEX 01 33:37:36 TRACK 08 AUDIO TITLE "“Astianatte”, Naples 1725, opera: Alma grande" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 40:09:24 INDEX 01 40:13:64 TRACK 09 AUDIO TITLE "“Eracela”, Naples 1724, opera: Aprirti il seno" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 43:43:42 INDEX 01 43:49:28 TRACK 10 AUDIO TITLE "“Catone in Utica”, Rome 1728, opera: Che legge spietata" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 47:29:54 INDEX 01 47:35:12 TRACK 11 AUDIO TITLE "“Medo”, opera: Taci, o di morte" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 51:29:60 INDEX 01 51:36:33 TRACK 12 AUDIO TITLE "“Astianatte”, opera: Ti calpesto, oh crudo Amore" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 61:03:18 INDEX 01 61:08:63 TRACK 13 AUDIO TITLE "“La contesa de' numi”, Rome 1729, serenata: Non meno risplende" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 65:43:04 INDEX 01 65:48:60 TRACK 14 AUDIO TITLE "“Eracela”, opera: In questa mia tempesta" PERFORMER "Filippo Mineccia, Stefano Aresi & Stile Galante" REM COMPOSER "Leonardo Vinci (1690-1730)" FLAGS DCP INDEX 00 69:50:68 INDEX 01 69:57:18
Доп. информация
AllMusic Review by James Manheim [-] The name of Leonardo Vinci, not to be confused with Leonardo da Vinci, is little known today, but he succeeded in the intensely competitive opera scene of the 1720s in Naples, at that time one of the greatest cities in the world. His comic operas were among the first to break up the Baroque style and push it toward the simplicity and lightness to come, but here the focus is on opera seria, which he wrote in abundance and for which he commanded libretti from Pietro Metastasio and other top writers of the day. These were virtuoso works, meant to show off a castrato's powers, and they turn out well in voice of the rather punk-imaged Italian countertenor Filippo Mineccia and the small-but-mighty instrumental group Stile Galante. "Galant" is not really the right word for these pieces, and Mineccia is at his best in high-octane arias like "Nella foresta," from the opera Medo (1728). His voice seems to settle into a rather vibrato-heavy middle register and then bloom with delightfully unexpected effect into the top range. He has a great deal of power, and when he tackles one of the castrato's trademark long notes in, say, "Ti calpesto, oh crudo Amore," from Astianatte (track 11), he sounds great. When trapped in the middle range, as in the sacred aria "Ai lampi del tuo lume," he's a bit less successful. But this fine release, augmented by excellent studio sound from Pan Classics, testifies that the opera repertory of the first half of the 18th century is still yielding good stuff and just waiting for committed performers like Mineccia to bring it alive.
